Rodriguez, Dark Rocker Rediscovered via ‘Looking for Sugar Man,’ Dead at 81
Detroit performer partook in a vocation renaissance after 2012 Oscar-winning narrative
Rodriguez’s demise was declared Wednesday on his authority site
Sixto Rodriguez, a mostly secret performer from the 1970s whose music encountered a restoration many years after the fact because of the Oscar-winning narrative Looking for Sugar Man, died on Tuesday at 81 years old.
Rodriguez’s passing was reported Wednesday on his authority site. “It is with incredible bitterness that we at Sugarman.org declare that Sixto Diaz Rodriguez has died recently,” the assertion read. No reason for death was given, however Rodriguez apparently managed medical problems lately.
Rodriguez, a rocker from Detroit who worked two jobs as a performer while dealing with Engine City sequential construction systems, delivered two collections in the mid 1970s called Cold Truth and Coming From The real world, however neither did very well in the US, and Rodriguez’s music become undesirable.
RIP Sixto Rodriguez aka Sugar Man 🙏🏼❤️
A legend with the most amazing life story. In the US he lived in relative obscurity, but was hugely popular in here South Africa without him ever knowing until much later on.
We will never witness a story like his in our lifetime again. pic.twitter.com/Q8QO8wcdKY
— The Kiffness (@TheKiffness) August 9, 2023
Total assets
Sixto Rodriguez is an American society performer who has a total assets of $5 million
Age
Rodriguez was 81 years of age at the hour of his passing.
Spouse
Sixto Rodriguez was hitched to Konny Rodriguez for almost 40 years. The pair secured the bunch in 1984 and were together up until his 2023 passing.
Family
Rodriguez has three little girls – Sandra, Eva and Regan.
Vocation
Rodriguez delivered his presentation collection “Cold Truth” in 1970, trailed by “Coming from The real world” in 1971. In spite of getting basic praise, the two collections were business disappointments in the US. Rodriguez’s music, described by lovely verses and socially cognizant topics, exhibited his novel mix of society, rock, and soul impacts.
Unbeknownst to Rodriguez, his music acquired a significant continuing in South Africa, where his collections hit home for hostile to politically-sanctioned racial segregation activists. Notwithstanding his haziness in his nation of origin, Rodriguez’s music turned into a hymn for an age looking for change in South Africa. He was supposed to have died by self destruction in front of an audience, further establishing his persona.
Many years after the fact, the narrative film “Looking for Sugar Man” (2012) carried Rodriguez’s story to the very front. The film chronicled the endeavors of two South African fans to uncover reality behind his vanishing and inevitable destiny. The narrative prompted a resurgence of interest in Rodriguez’s music, and he at last earned the respect he merited.
Following the narrative’s delivery, Rodriguez’s collections were reissued, and he left on fruitful global visits. His unmistakable melody, “Sugar Man,” turned into a famous track and acquainted another age with his music. Rodriguez’s verses, frequently thoughtful and socially important, reverberated with audiences across societies and ages.
The unforeseen recovery of Rodriguez’s profession likewise prompted him getting grants and respects, including a Grammy selection. His excursion from relative haziness to a worldwide perceived and celebrated performer remains as a demonstration of the persevering through force of music and the effect of narrating.
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